Reminiscences of an MMORPG burnout victim

Reminiscing about Ultima Online in the comment-field in a different post made me all nostalgic, like. And I came to realize that no MMORPG (or MMO, if you prefer) I have played since has struck a chord with me to the same extent as it did. Not just because it was my first MMORPG – I recognize that very little compares favorably to one’s “first”, but also because UO awoke in me a desire for virtual worlds. Take note that I used the word “worlds” there and not “games”. I like games. I’ve played games all my life, and will continue to do so for as long as I am able to. Virtual worlds, however – that’s the stuff dreams are made of! Also, the Matrix.

Let’s take it from the beginning

Attending the Court of Truth on Atlantic

On the 31st of December 1997 I started playing Ultima Online. It sounded like a dream come true at the time; to be able to run around in the Ultima-universe alongside other real people living out our alternative lives, dispatching hordes of monsters, living the stories, even baking bread? Hallelujah!

A cousin of mine got the game as a Christmas gift, after I had been drooling over the game for months and he had barely heard of it! O, what cruel fate! Luckily for me, though, his computer did not meet the minimum required system specifications (Pentium 133MHz, 16MB RAM, 4X CD-ROM Drive!) to run the game, so the game ended up being installed on my beast of a P200 MMX instead *rubs hands gleefully together sometime in the distant past*

A couple of months later I got my own copy of the game and from then on there was no looking back (until now).

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About the Laws of Online World Design – Part IV

This is the fourth installment in a series of posts I’ll be making about Raph Koster‘s The Laws of Online World Design, as explained in this introductory post. I will start at the top of the list, and work my way down until I’ve poked and prodded every law in the list, not skipping any unless I really feel like it, or unless I should happen to be distracted by a pretty butterfly or something. Which is exactly what happened after I wrote Part III of this series in July 2009!

In this long awaited (right?) Part IV of the series, I’ll concentrate on the following law:

  • Macroing, botting, and automation

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The Winds of Change

The wheels of the gaming industry churn, developers come and pass, leaving games that become legacies. Legacies fade to obscurity, and even obscurity is long forgotten when the development cycle that gave it birth comes again. In one development cycle, called the Facebook/Gamification-cycle by some, a development cycle yet to come, a development cycle long pass, a wind rose in the hills of Montreal. The wind was not the beginning. There are neither beginnings nor endings to the churning of the wheels of the gaming industry. But it was a beginning.

Ahem. Horribly mangled Wheel of Time-quotes aside… As March transitioned into April this year, it meant I had spent exactly four years in the game development industry, after I packed my bags and moved to Oslo (and later, to Montreal) at the end of March in 2008 to join up with Funcom – a few short months before the launch of Age of Conan. Since then I have worked primarily with refining, updating and maintaining AoC’s state-machine and animation-systems, while also temporarily taking on a few extra side-jobs where needed such as basic rigging/skinning and animating in Autodesk 3ds Max (very useful for fixing minor issues with character-animations and 3D assets), the creation of particle-effects for spells and environments, scripting triggers and conditions for said particle-effects to play, as well as creating and hooking up triggers for sound-effects for monsters. The common denominator (in my case) for all of these tasks is their link to the animation-systems and/or behavior control center (state machine).

When I crossed that four-year milestone two and a half months ago, though, I decided it was time for a change. Without change, without new challenges, the mind can grow stale and one’s motivation can falter. As luck would have it, an opportunity for change arose, and I took it. As a result, on Monday just hence, when I came back to the Conan-team after a five-month temporary hiatus spent working on particle-effects for monsters in The Secret World (which is just about to launch, btw!), I sat down at a new desk, next to new people (well, people I hadn’t sat next to before, anyway) to start training for a new position: AI Designer!

This is a new and untested field for me, but hopefully I can draw on the knowledge and experience I have acquired over the last four years to smooth out my transition into the world of AI Design for video-games.  It will definitely be in my favor that I have extensive knowledge about the state-machine (which is prominent in AI scripting for AoC), and that I am at least somewhat familiar with the primary tools I’ll be using as an AI Designer. I do, however,  have a lot to learn – though there will always be challenges to overcome and new things to learn. Anyway, interesting times are ahead, that much is certain. Who knows – perhaps this will be the start of another exciting four-year (or longer) journey into the future! :)

(For an insight into what being an AI Designer for Age of Conan involves, check this link. While “slightly” out of date (it’s from 2008!), the general principles (and tools in use) are roughly the same.)